#104 - Winter Camp '24 - Mar Figueroa
#104 - Winter Camp '24 - Mar Figueroa
Destination: Shelton, Washington, USA
Date: 11 March - 15 March, 2024
About Mar Figueroa
Exploring the multifaceted layers of her identity, Mar Figueroa, an Ecuadorian-born painter now based in New York, delves into these complexities through her surreal autobiographical paintings. Caught between the contrasting worlds of North and South America, Mar reveals the nuances of living in a liminal space. As she explores the influence of her environment and cultural background on her inner world, she pays homage to her Andean roots, emphasizing the depth of its rituals and traditions.
You can find more work of Mar on her instagram: www.instagram.com/bymarfigueroa/
Destination: Shelton, Washington, USA
West from the city of Seattle, you’ll find the Olympic National Park, and just below the National Park you will find the small city of Shelton. The land was previously called ‘Cota’ and was inhabited and managed by the Squaxin Island Tribe, later called Sheltonville when it was officially incorporated in 1890, and nowadays just Shleton. With a long tradition in logging and lumber milling, and the abundance of fire and pine trees growing in the area, it explains why the city is also referred to as Christmastown, USA.
This is our very first Winter Camp, and we are proud to collaborate together with Hashimoto Contemporary on this new exciting venture. Aside from the prints, each artist will create a body of original works inspired by their experiences during the Winter Camp, resulting in a group exhibition opening on the 7th of December at Hashimoto San Francisco.
Details about the print
Dimensions: ± 50 x 70 cm
Medium: silkscreen print
Edition: edition of 50, signed and numbered by the artist
A little word from Mar…
"This Winter Camp was a much shorter residency than other residencies that I've done, so every day was intentional, with a focus on both goals and rest. I arrived Camp without any expectations or preparations. and I had also never met the other artists in person before, but we connected really well. I appreciated the diverse energy each woman brought to the forest; it was comforting during our nights.
I had never seen such a dramatic contrast in landscapes before—Olympic National Park with its snow-covered forest floor and toppled trees, and just minutes away, a lush, green trail. While we were hiking, I remember encountering the puma tracks. The national parks were technically closed during our visit due to the unpredictable nature of the land and weather changes. As we ventured deeper into the snowy forest, it was both intimidating and awe-inspiring to see the tracks of a larger animal that had explored the area before us. It served as a healthy reminder that we are merely visitors. In my culture, pumas are sacred life-guiding animals, so it felt particularly beautiful and meaningful to be walking along its path.
Drafting my artwork came to me quite quickly because of my interaction with the other artists during the trip. We're all part of a larger body in the art world but have our own unique ways of moving through it. Sharing that energy with each other on this trip was special. My artwork, titled ‘Leave the World Behind’, features four figures engaged in conversation, each uniquely influenced by the water they are immersed in. In this piece, nature and the figures intertwine, merging into one another as their forms and the elements become one."